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Lorem Ipsum / Objects Never Die

Curatorial project 

2024

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Installation views C.A.M.A Project 
and Verniz Design  shop

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Twopointzero
Participation in collective show 
2023 
 

Installation views C.A.M.A Project 

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From Ruins to Rebound

Curatorial project 

2023

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Installation views Casa Amelia

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Counter Bartering
Curatorial Project
2013

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Installation views Palacio das Artes, Belo Horizonte
and Espaço Fonte, Recife

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The Artist as...
Curatorial project 

2012

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Installation views PIVÔ 

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C.A.M.A.
Participation in art fair
2024
 

Installation views ArPA 2024

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Selected writings by the artist

The Language Codes of an Immaterial Body
Review of Analivia Cordeiro at Luciana Brito Galeria

New City Brazil 2024

Eye, Body and Image. Claudia Andujar’s Experimentalism in Her Retrospective Cosmovisão at Itaú Cultural

New City Brazil 2024

Some Collisions Can Create New Worlds
Review of Atropelo at Sala 24 de Maio

New City Brazil 2024

A Fresh Challenge
Quase Espaço, a New Independent Field of Experimentation

New City Brazil 2024

Redrawing Pyramids
Review of Maré de Matos at Galeria Lume

New City Brazil 2024

The Silent Identity of Geometries
Review of Edival Ramosa at Coleção Moraes-Barbosa

New City Brazil 2024

Cycles in Suspension
Review of “Lua Nova” at Galeria Marli Matsumoto

New City Brazil 2024

Camouflaged Geometries . Review of Novo Balanço by Allan Weber at Galatea Galeria, IAB SP

New City Brazil 2024

When Images Speak From Within
A Review of “Retratistas do Morro” at SESC Pinheiros

New City Brazil 2023

The Time of Forms
Review of Juan Casemiro at Centro Maria Antonia da USP

New City Brazil 2024

To Decolonize the Origins . Review of  Ensaios para o Museu das Origens  at Itaú Cultural and Instituto Tomie Othake

New City Brazil 2023

Distances Are Not Invisible
Review of Stanley Brouwn et al at Coleção Moraes Barbosa

New City Brazil 2023

Editing in the Loops
Review of the 22nd Sesc_Videobrasil Biennial

New City Brazil 2023

Transmedial Intervention
Interview with Lucas Bambozzi about Solastalgia at MAC USP

New City Brazil 2023

Reparative Exercises
Review of 35th Bienal de São Paulo

New City Brazil 2023

A Common Heaven
Review of Casa do Céu at Galeria Vermelho

New City Brazil 2023

So Far, So Close
Review of Elementar: Fazer Junto at MAM São Paulo


New City Brazil 2023

Architecture As Advocacy
Interview with Paulo Tavares

New City Brazil 2023

Uprooted and Expelled . Review of Maria Thereza Alves’ The Council of Beings at Jaqueline Martins

New City Brazil 2023

Support, Risk, Experimentation and Market
Review of Petite Galerie, Franco Terranova and the Brazilian avant-gardes at Superfície

New City Brazil 2023

Temporary/Permanent: 
A Review of “Fundamentos da Pedra” by Lais Myrrha at Millan Gallery

New City Brazil 2023

Riverside Ancestry
Review of Davi de Jesus do Nascimento show at Instituto Çarê

New City Brazil 2023

The Mutability of Known Forms
Review of João Loureiro’s Desacordados at Sé Gallery

New City Brazil 2023

The Challenges of Self-Representation
A Conversation with GDA - Gallery of Artists

New City Brazil 2023

Here, there was a project of city
Review of Avenida Paulista at MASP

New City Brazil 2017

Socializing the Forms of Art: Revisiting the Legacy of the Concrete Modernist Geraldo de Barros at Luciana Brito Gallery 

New City Brazil 2017

In the Same Place, Other Places
Review of Ana Maria Tavares at Pinacoteca of São Paulo

New City Brazil 2017

The Semiotics of the Symbiotic
Review of Johanna Calle’s Babel at Marília Razuk Gallery

New City Brazil 2017

An Eye for An Eye: The Orwellian Implications of Ricardo Basbaum’s solo show at Galeria Jaqueline Martins

New City Brazil 2017

Art Versus Artifact: Assessing the Battle Scars of History in Adornos do Brasil Indígena/Resistências Contemporâneas at SESC Pinheiros

New City Brazil 2016

Brazilian Reality: A Consideration of the Social Chronicles of Cândido Portinari at MASP

New City Brazil 2016

Review of Playgrounds exhibition, at MASP

Flash Art 2016

Afro-Brazilian Manifestations: An Urgent Recognition
Essay about an exhibition on African descent artists from Brazil

Contemporary & 2018

Entre lampejos, entrevemos uma luz no fim do túnel
Impressões sobre a 54a Bienal de Arte de Veneza

Forum Permanente 2012

A escrita em campo expandido
Relato da oficina Escritor, Editor e Curador
com Maria Berrios e Marcelo Rezende

Forum Permanente 2012

Por um Equilíbrio de Histórias
Relato da oficina Experiências Dialógicas com Bitu Cassunde, Gabrilea Motta e Rosa Pera

Forum Permanente 2012

Condição Sul

Forum Permanente 2012

Dobras do tempo. Relato do encontro de Santiago Navarro e Carla Zaccagnini, programa do CAPACETE - 29a Bienal de São Paulo, no Teatro de Arena Eugenio Kusnet

Forum Permanente 2010

Iminência das Poéticas
Relato simpósio da 30a Bienal de São Paulo

Forum Permanente 2012

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